‘Haringey Unchained’ hot off the press

We had our final editorial meeting on May 3rd, 2018 for this year’s issue of Haringey Unchained. We finalised the flat plan, decided on the amazing cover design, and are really excited about the upcoming publication.

To visit the updated blog, where all submissions have been posted in full, go to: www.haringeyunchained.com  

The magazine will be launched in a series of events in late June, culminating in the official launch at July 5th, 2018 at Haringey Sixth Form Centre. We will announce more details soon.Haringey Unchained LogoThis is the part of the introductory section of the magazine:

Haringey Unchained is a collective of students aiming to showcase the creative talent of Haringey Sixth Form College in Tottenham, London. Our community has had a challenging academic year, but amidst the setbacks, our students and staff have continued to produce art and creative writing that shows a want to be heard. In this magazine, we aim to bring out the critical and creative consciousness of a vibrant college. This creative gives space to those whose work might otherwise not be seen or read.

Since the cuffs are off, we are able to express ourselves through our photography, art, short fiction and poetry, to express what is really on our minds. We are free.

This year, we were privileged to work alongside Middlesex University in London, whose editorial team brought together an exciting range of submissions. We had editorial meetings together during which the students collaborated on the concepts for the magazine and blog.

Submissions were produced by Haringey Unchained’s current members, Haringey Unchained alumni, Middlesex University English and Creative Writing students and Haringey Sixth Form College students and staff.

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The Haringey Unchained Editorial Team comprises ten Haringey College students and is headed by Angie Smith, English Teacher at Haringey Sixth Form Centre and Founder of Haringey Unchained. It also includes five Middlesex members (for 2017-18); our four Middlesex BA English students: Yvonne Alexander-Taylor, Majeda Reema Begum, Sarah Haque, Teodora Matković and myself (Anna Charalambidou).

 

 

Sneak peak on this year’s ‘Haringey Unchained’ magazine

We are very happy to report that all content (poems, short fiction, illustrations, photographs etc.) that we have submitted this year has  been added to the Haringey Unchained blog.

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Please visit here: https://haringeyunchained.wordpress.com.

 

At the top of the page, there is the following link, which reflects the partnership between students and staff of English from Middlesex University and Haringey Sixth Form Centre:

https://haringeyunchained.wordpress.com/university-partnerships/

Submission on the blog are anonymised. Anything submitted by Middlesex is demarcated by a * in the title.

Over the next couple weeks, we’ll be updating the blog so that it is a premium account so the URL will eventually change to: www.haringeyunchained.com.

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Our next and final editorial session together will be Thursday 3rd May at 4:30 pm. We are going to have to be merciless about the items we cut in order to get it to fit 52 pages.  We will spent the time placing pieces along the flat plan together.

Really looking forward to seeing the finalised version of the print magazine!

Language and Communication Research Seminars 2017-18 – Term 2

We are delighted to confirm the updated lineup for the second term of our 2017-18 Language and Communication Research Seminars at our Hendon Campus.

man having presentation at seminar

  • Wednesday, March 14, 12.00-14.00, Room CG48 (College Building): Aleksandra Vukotic (University of Belgrade): Intertextuality in Jeanette Winterson’s ‘The Gap of Time’. (new addition)

 

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

1st Haringey Unchained – Middlesex Meeting

unchained_05We were really excited to welcome at Middlesex the twelve enthusiastic and motivated Haringey Sixth Form College students, with their inspirational teacher, Angie Smith.

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Doing some creative writing critique

Four of our BA English students will work with the Haringey students to edit a literary magazine, ‘Haringey Unchained’: a platform for high-quality original creative work in various forms: prose, poetry, illustration and photography.

In addition to the magazine, a larger collection of submissions can be found online at https://haringeyunchained.wordpress.com/.

So, if you are into writing, illustration, photography and would like your work to be considered for the ‘Haringey Unchained’ magazine and blog and reach a wide audience, please contact our four Middlesex students coordinating the project for more information:

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Our first Middlesex – Haringey group photo

 

Rhyme and Reason: “creative criticism” and thinking in verse: video recording

If you’ve missed the a talk and poetry reading by poet, philosopher and literary critic Christopher Norris, that took place on October 18th, fear not!

Chris discussed his shift from a philosopher and literary critic to a poet. He introduced and read a number of his philosophical villanelles and also (my favourite) a satirical one about George Osborne.

We have videorecorded this very well-attended and fascinating session.

Here is a teaser:

 

 

And here’s the full session:

 

(next time I’ll try not to sit right in front of the camera)

A Viewpoint is more than a Point of View: ‘Shades of Light’ and City Poetry

The Language and Communication Research cluster is delighted to welcome the acclaimed poet Mary Coghill for a poetry reading/presentation on A Viewpoint is more than a Point of View: ‘Shades of Light’ and City Poetry.

When? Wednesday 14 February 2018, 16.00 – 17.30

Where? Room C110 (College)Middlesex University, Hendon campus

For this poet, the definition of what might be called a ‘city poetic’ is ongoing.  The understanding of a viewpoint – from what angle the poet sees what is going on around him or her – is central.  The focused use of techniques and imagery which are sympathetic to the demands made by the city environment on those who live in the city day by day, night by night, is also crucial.  This presentation will examine, both through the examination of poetic theory and with examples from Shades of Light, how some of these issues are represented and interpreted, including through the use of Adobe Indesign software.

20130022111658img01Biography: Dr Mary Coghill
Creative Writing MA Plymouth University (2005) which included the narrative poem Designed to Fade (2006) Shearsman Books.

Creative Writing PhD from The London Metropolitan University (2011) with Professor Paul Cobley as Director of Studies: ‘A Theory and Praxis of a City Poetic: Jakobson, Poetic Function and City Space; Women, Deixis and the Narrator: A City Poem: ‘Shades of Light: A Triumph of City’; poem published (2012) www.cityofpoetry.co.uk

Visiting Research Fellowship at the Institute of English Studies, School of Advanced Studies, University of London (2014-17) included Assay of Blood and Gold: London (2017) www.cityofpoetry.co.uk and theoretical work on Jakobson and Metonymy.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

For a full list of all 2018 seminars, click here.

Rhyme and Reason: “creative criticism” and thinking in verse

The Language and Communication Research cluster is pleased to welcome you to the first event of our 2017-18 series: a talk and poetry reading by poet, philosopher and literary critic Christopher Norris.

When? Wednesday 18 October 2017, 16.00 – 17.30

Where? Room C223, College building, Middlesex University, Hendon campus

This talk will take the form of a poetry-reading with introductory remarks and a running commentary. The latter will invite reflection on the varied possibilities of thinking creatively in and through verse, especially formal (i.e., rhyming and metrical) verse. It will focus on the kinds of intellectual stimulus offered by such formal constraints, and the way that exigencies of structure can liberate the mind from routine or predictable patterns of thought.

The philosophical verse-essay has suffered an eclipse since its high-point in the English eighteenth-century, along with the very idea of poetry as a discursive or rationally-oriented discourse-genre. That idea has been displaced by the Romantic and Modernist emphasis on metaphor and symbol as supra-rational (hence ‘properly’ poetic) modes of imaginative thought. Christopher’s poetry takes a sharply opposed view of the prospects for at least one perfectly viable and, he would argue, not in the least anachronistic kind of verse-practice.

Brief bio:

chris-norrisChristopher Norris is Emeritus Professor of Philosophy at Cardiff University. He is the author of more than thirty books on topics in philosophy, literary theory, music, and intellectual history. These include, most recently, Badiou’s Being and Event: a reader’s guide (Continuum) and Philosophy Outside-In (Edinburgh U.P.). More recently he has been writing philosophical poetry with a main focus on the extended verse-essay as a mode of creative criticism.

Three collections have appeared so far: The Cardinal’s Dog (2014), For the Tempus-Fugitives (2017), and The Winnowing Fan (also 2017). Of the latter Terry Eagleton wrote: ‘A major literary event . . . . Christopher Norris has reinvented the poetry of ideas for our time in this enthralling collection of unique, elegant, hugely ambitious works. It’s certainly the most fascinating collection of poems I’ve read for many a year.’

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.