Paint into text: the re-formation of an exhibition into a dramatic text

THE LANGUAGE AND COMMUNICATION RESEARCH CLUSTER IS DELIGHTED TO ANNOUNCE A PRESENTATION BY award-winning dramatist and director and Head of Media Department, James Martin Charlton, on the re-formation of an exhibition into a dramatic text.

When? Thursday 30th January 2020, 15.00 – 16.00

Where? Room CG09 (College building), Middlesex University, London, NW4 4BT

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James Martin Charlton’s new play Reformation was premiered in London in June 2019. Inspired by the life of the German Renaissance painter Lucas Cranach the Elder, the play was conceived after the author visited an exhibition featuring the artist’s work for the Hohenzollern electors. This encounter with Cranach’s portraits and mythological scenes inspired a work which explores themes of sexual exploitation, power and patronage. In this seminar, the author explores how work in the static, two dimensional medium of painting can be reformed into drama, a medium which combines action and dialogue and which progresses through time and three-dimensional space. How does a painter of the 16th century inspire a contemporary dramatist? What uses does a writer make of historical research, and when might it be permissible to speculate and imagine beyond the historical record?

Biography

JMC-2019James Martin Charlton (writer) is a dramatist, director and academic.

His plays include Fat Souls and Coming Up (Warehouse Theatre, Croydon); ecstasy + Grace (Finborough Theatre); Desires of Frankenstein (Open Air, Regents Park/Pleasance, Edinburgh); The World & his Wife, I Really Must be Getting Off (The White Bear); Coward (Just Some Theatre Co.). He has written two short pieces for The Miniaturists, Fellow Creature and Battis Boy (Arcola Theatre). His recent play Been on the Job Too Long has been produced three times since 2015 (at TheatreN16, the North London Literary Festival, and the Talos Festival of Science Fiction Theatre).

He wrote an adaptation of The Pilgrim’s Progress under commission by the RSC, and his biographical play about William Blake, Divine Vision, was performed at Swedenborg Hall.

He has directed a number of contemporary plays, including Gob, Bumps (King’s Head), Plastic Zion (White Bear), Histrionics (Underbelly, Edinburgh). He has directed three site-specific production of plays by James Kenworth: Revolution Farm (after Orwell) played at Newham City Farm in 2014; A Splotch of Red: Keir Hardie in West Ham toured east London libraries and community centres in 2016; Alice in Canning Town was produced at Arc in the Park in summer 2019.

He has written and directed two short films, Apeth (2007) and Academic (2011). He wrote screenplays for the shorts Emotional Tribunal and Best Shot. He recently filmed his play Fellow Creature for 360° video, as part research project into the medium which resulted in the 2019 article ‘VR and the dramatic theatre: are they fellow creatures?’ in the peer-reviewed International Journal of Performance Arts and Digital Media.

He has lectured at UEL and Birkbeck and is currently Head of Department of Media at Middlesex University.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Click here to see all 2019-20 Language & Communication research seminars.

2019-20 Language & Communication Research Seminars

The Language & Communication research cluster is excited to announce the fantastic line-up of presenters for our 2019-20 research seminars, at our HENDON CAMPUS. The seminars feature world-leading authorities and acclaimed practitioners who discuss their work on language, discourse and communication, literature, creative writing, media and cultural studies. Hope to see you all there!

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  • Dr Johan Siebers: I Interpret You. Thursday 12th December 2019, 15.00-16.00, Room G230 (Grove building).
  • Dr Josie Barnard: The Multimodal Writer. Thursday, 12th March 2020, 15.00-16.00, Room CG09 (College building).

 

 

Check back here for additional listings.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Alice in Canning Town: an urban adaptation of Alice in Wonderland

Our Middlesex colleagues, playwright James Kenworth and director James Martin Charlton, have been awarded the prestigious Royal Docks Trust Grant to write and stage an innovative, site-specific play, Alice in Canning Town.

Alice in Canning Town is a brand new contemporary, urban adaptation of Lewis Carroll’s Alice in Wonderland, reconfigured for the East End, and performed site-specific in Arc in the Park, an inclusive adventure playground in Canning Town.

The play will reflect the ever-changing face of the East End over the years, from Cockney to Bangra, Krays to Stormzy, and will be a celebration of not only one of the best loved fantasies of all time, but a kaleidoscopic and action-packed journey through an East End that survived Hitler’s blitz and reinvented itself as a leading light in multicultural Britain.

The performance will feature a combination of professional actors, young performers from the local area, and a live youth orchestra. James’s previous plays have all given opportunities and experience to local young performers, and explored the Borough’s rich political history. The show will be performed at Arc in the Park in the Summer of 2019.

Middlesex English & Creative Writing students may be involved in the creative process which will chiefly benefit young people from Newham.

James Kenworth and James Martin Charlton

The show will build on the pioneering work the playwright (James Kenworth, Lecturer in Media Narrative) and director (James Martin Charlton, Head of Media) have done in the field of education, community and site-specific theatre. James Kenworth’s most recent play, A Splotch of Red, was the third in a loose trilogy of East End-based plays, all dealing with revolution and social change, and all performed in appropriate locations in the London Borough of Newham. It follows When Chaplin met Gandhi, staged in 2012 at Kingsley Hall, where the Indian leader stayed during his 1931 visit to Britain, and Revolution Farm, a ‘hoodie version’ of George Orwell’s Animal Farm, performed in 2014 at Newham City Farm, in the shadows of Canary Wharf.

Arc in the Park

Arc-pic1Arc in the Park is a vibrant and dynamic Adventure Playground, featuring tree houses, swings, trampolines, rope bridges, giant slides, teepees, and as such, is a perfect fit for the playful and surreal world of Carroll’s Alice in Wonderland. Its unusual and imaginative play resources make it an exciting and unique performance space for an Alice in Wonderland reimagined for the East End.

The Arc provides a Newham-wide delivery and resource base for young people with disabilities and/or additional needs and their families. We will work closely with Arc in the Park’s management body, Newham charity, Ambition, Aspire, Achieve, to provide opportunities for local young people to be involved in the making of a professional theatre show. Kevin Jenkins OBE founded AAA because of a longstanding desire to provide opportunities for the youth of Newham and East London. AAA have an exemplary track record in providing activities and experiences for young people in the Newham and East London area that build confidence and expand minds.

The park’s unique array of adventure play resources and building structures make it a perfect fit for Alice’s adventures in Canning Town. We envisage a promenade-style performance for Alice, with the audience following the play’s story around the environs of the Park. This kind of staging was achieved very successfully with the production of Revolution Farm at Newham City Farm, with critics singling out the promenade staging for praise. The Independent’s Theatre Critic Paul Taylor wrote: “The unique selling points of this version are not just the in-yer-face modernity of the language and attitudes, but the fact that it unfolds as a promenade performance in the precincts of a genuine inner-city farm.”

“Four legs badass, two legs wasteman!”: Reimagining Orwell for Austerity Britain

The Language and Communication Research cluster is delighted to announce the presentation by playwright and Middlesex lecturer in Media Narrative James Kenworth on his play ‘Revolution Farm’.

When? Wednesday 24  January 2018, 16.00 – 17.30

Where? Room C136 (College Building), Middlesex University, London, NW4 4BT

*Please note change in room number*

Revolution-Farm-5In 2014, James was given special permission by AM heath Agents on behalf of the George Orwell estate to adapt and modernise Orwell’s classic satire, Animal Farm, and give it a fresh, contemporary twist, injecting its timeless tale of a revolution that went wrong with a gritty, urban, ‘in-yer-face’ language.

The play was unique in another respect: it was staged on one of London’s longest established and largest inner city farms: Newham City Farm, home to a large collection of farmyard favourites such as cows, horses and sheep.

In this presentation, James will explore the process/methodology of adapting a literary classic with a contemporary spin, with special emphasis on a creative and expressive approach to playwriting language/dialogue. The paper will also address the challenges of setting the play on an inner city farm and how the use of non-conventional theatre spaces affects and reconfigures the relationship between a play and audience.

Biography

imageJames Kenworth is a Playwright and a Lecturer in Media Narrative at Middlesex University. His writing include ‘verse-prose’ plays Johnny Song, Gob; black comedy Polar Bears; issue-led plays Everybody’s World (Elder Abuse), Dementia’s Journey (Dementia); plays for young people/schools The Last Story in the World; and a Newham-based trilogy of site-specific plays, When Chaplin Met Gandhi, Revolution Farm and A Splotch of Red: Keir Hardie in West Ham.

His play, Dementia’s Journey, won the 2015 University of Stirling International Dementia Award in the category: Dementia & the Arts. When Chaplin Met Gandhi and Revolution Farm is published by TSL Publications. A Splotch of Red has recently been published in a collection of political plays by Workable Press, a new publishing imprint dedicated to trade unions and organised workers.

He has extensive experience of planning, preparing and teaching playwriting and creative writing programmes/workshops for a wide variety of age groups and learners including children, young people, students and adult learners. He has worked on a regular basis on the delivery of these programmes with leading arts and educational organisations such as Spread The Word, Cardboard Citizens, Workers Educational Association University, Newham Adult Learning Service, Newham Libraries, Newham College, Community Links, Soho Theatre, University of East London and Middlesex University.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Click here to see all 2018 Language & Communication research seminars.