Paint into text: the re-formation of an exhibition into a dramatic text

THE LANGUAGE AND COMMUNICATION RESEARCH CLUSTER IS DELIGHTED TO ANNOUNCE A PRESENTATION BY award-winning dramatist and director and Head of Media Department, James Martin Charlton, on the re-formation of an exhibition into a dramatic text.

When? Thursday 30th January 2020, 15.00 – 16.00

Where? Room CG09 (College building), Middlesex University, London, NW4 4BT

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James Martin Charlton’s new play Reformation was premiered in London in June 2019. Inspired by the life of the German Renaissance painter Lucas Cranach the Elder, the play was conceived after the author visited an exhibition featuring the artist’s work for the Hohenzollern electors. This encounter with Cranach’s portraits and mythological scenes inspired a work which explores themes of sexual exploitation, power and patronage. In this seminar, the author explores how work in the static, two dimensional medium of painting can be reformed into drama, a medium which combines action and dialogue and which progresses through time and three-dimensional space. How does a painter of the 16th century inspire a contemporary dramatist? What uses does a writer make of historical research, and when might it be permissible to speculate and imagine beyond the historical record?

Biography

JMC-2019James Martin Charlton (writer) is a dramatist, director and academic.

His plays include Fat Souls and Coming Up (Warehouse Theatre, Croydon); ecstasy + Grace (Finborough Theatre); Desires of Frankenstein (Open Air, Regents Park/Pleasance, Edinburgh); The World & his Wife, I Really Must be Getting Off (The White Bear); Coward (Just Some Theatre Co.). He has written two short pieces for The Miniaturists, Fellow Creature and Battis Boy (Arcola Theatre). His recent play Been on the Job Too Long has been produced three times since 2015 (at TheatreN16, the North London Literary Festival, and the Talos Festival of Science Fiction Theatre).

He wrote an adaptation of The Pilgrim’s Progress under commission by the RSC, and his biographical play about William Blake, Divine Vision, was performed at Swedenborg Hall.

He has directed a number of contemporary plays, including Gob, Bumps (King’s Head), Plastic Zion (White Bear), Histrionics (Underbelly, Edinburgh). He has directed three site-specific production of plays by James Kenworth: Revolution Farm (after Orwell) played at Newham City Farm in 2014; A Splotch of Red: Keir Hardie in West Ham toured east London libraries and community centres in 2016; Alice in Canning Town was produced at Arc in the Park in summer 2019.

He has written and directed two short films, Apeth (2007) and Academic (2011). He wrote screenplays for the shorts Emotional Tribunal and Best Shot. He recently filmed his play Fellow Creature for 360° video, as part research project into the medium which resulted in the 2019 article ‘VR and the dramatic theatre: are they fellow creatures?’ in the peer-reviewed International Journal of Performance Arts and Digital Media.

He has lectured at UEL and Birkbeck and is currently Head of Department of Media at Middlesex University.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Click here to see all 2019-20 Language & Communication research seminars.

‘Down an East End Rabbit Hole’: adapting Lewis Carroll for an urban public environment

THE LANGUAGE AND COMMUNICATION RESEARCH CLUSTER IS DELIGHTED TO ANNOUNCE A PRESENTATION BY OUR COLLEAGUE AND acclaimed playwright James Kenworth ON his urban adaptation of Lewis Carroll’s Alice in Wonderland.

When? Thursday 14th November 2019, 15.00 – 16.00

Where? Room CG82 (College), Middlesex University, London, NW4 4BT

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Alice in Canning Town is a brand new contemporary, urban adaptation of Lewis Carroll’s Alice in Wonderland, reconfigured for the East End, and performed site-specific in Arc in the Park, an inclusive adventure playground in Canning Town. Alice is the fourth in a quadrilogy of East-End-based plays written by playwright and Middlesex lecturer James Kenworth, all dealing with revolution and social change, and all performed in appropriate locations in the East End. It follows When Chaplin met Gandhi, staged in 2012 at Kingsley Hall, where Gandhi lived and worked for 3 months; Revolution Farm, a ‘hoodie version’ of George Orwell’s Animal Farm, performed in 2014 at Newham City Farm, in the shadows of Canary Wharf; and A Splotch of Red: Keir Hardie in West Ham, documenting the historic victory of Labour’s greatest hero in West Ham, performed in 2016 at Community Links, where Hardie delivered some of his most firebrand speeches.

BIOGRAPHY

imageJames Kenworth is a Playwright and a Lecturer in Media Narrative at Middlesex University. His writing include ‘verse-prose’ plays Johnny Song, Gob; black comedy Polar Bears; issue-led plays Everybody’s World (Elder Abuse)Dementia’s Journey (Dementia); plays for young people/schools The Last Story in the World; and a Newham-based trilogy of site-specific plays, When Chaplin Met Gandhi, Revolution Farm and A Splotch of Red: Keir Hardie in West Ham.

His play, Dementia’s Journey, won the 2015 University of Stirling International Dementia Award in the category: Dementia & the Arts. When Chaplin Met Gandhi and Revolution Farm is published by TSL Publications. A Splotch of Red has recently been published in a collection of political plays by Workable Press, a new publishing imprint dedicated to trade unions and organised workers.

He has extensive experience of planning, preparing and teaching playwriting and creative writing programmes/workshops for a wide variety of age groups and learners including children, young people, students and adult learners. He has worked on a regular basis on the delivery of these programmes with leading arts and educational organisations such as Spread The Word, Cardboard Citizens, Workers Educational Association University, Newham Adult Learning Service, Newham Libraries, Newham College, Community Links, Soho Theatre, University of East London and Middlesex University.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Click here to see all 2019-20 Language & Communication research seminars.

2019-20 Language & Communication Research Seminars

The Language & Communication research cluster is excited to announce the fantastic line-up of presenters for our 2019-20 research seminars, at our HENDON CAMPUS. The seminars feature world-leading authorities and acclaimed practitioners who discuss their work on language, discourse and communication, literature, creative writing, media and cultural studies. Hope to see you all there!

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  • Dr Johan Siebers: I Interpret You. Thursday 12th December 2019, 15.00-16.00, Room G230 (Grove building).
  • Dr Josie Barnard: The Multimodal Writer. Thursday, 12th March 2020, 15.00-16.00, Room CG09 (College building).

 

 

Check back here for additional listings.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

ALICE IN CANNING TOWN Comes To Arc In The Park Adventure Playground This August

Book your tickets now, to see ‘Alice in Canning Town’, the contemporary urban re-interpretation of Alice in Wonderland, by our colleagues James Kenworth and James Charlton, in collaboration with Middlesex students, local pupils and professionals. Performances 12th – 18th of August.

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ALICE IN CANNING TOWN Comes To Arc In The Park Adventure Playground This AugustFollowing their production of Animal Farm on a real-life farmyard in 2014, James Kenworth and James Charlton bring a brand new, contemporary urban adaptation of much-loved fantasy adventure Alice in Wonderland to an adventure playground in the East End featuring tree houses, swings, trampolines, rope bridges and giant slides and a cast of professional actors and local Newham primary and secondary school pupils.

This is Alice in Wonderland as you’ve never seen before. All the favourite characters are still there, but in new, modern guises. A cockney rabbit, a rave-mad Mad Hatter, a hookah-smoking ex-Bollywood actor, Tweedledee and Tweedledum as hipsters, and a would-be grime artist called MC Turtle. From Cockney to Bangra, from the Krays to Stormzy, Alice in Canning Town is a celebration of not only one of the best loved fantasies of all time, but a kaleidoscopic and action-packed journey through an East End that survived Hitler’s blitz and reinvented itself as a leading light in multicultural Britain.

 

Alice in Canning Town has been reconfigured specially for the East End, and performed site-responsively in Canning Town’s Arc in the Park, an inclusive adventure playground in Canning Town. Arc in the Park is a vibrant Adventure Playground, featuring tree houses, swings, trampolines, rope bridges, giant slides, teepees, and as such, is a perfect fit for the playful and surreal world of Alice. The play will involve local Newham primary and secondary school pupils acting alongside professional actors.

Following the critical acclaim of James Kenworth’s When Chaplin Met Gandhi, Revolution Farm, and A Splotch of Red: Keir Hardie in West Ham, three plays which were a unique collaboration between professional theatre artists and young people in Newham, Alice in Canning Town is the fourth in a quadtrilogy that explores the borough’s rich heritage and shows off the talent of its young people. It continues the collaboration between Kenworth and director James Charlton.

James Kenworth’s previous plays include the award winning Dementia’s Journey (London tour), and Newham-based, site-specific plays, When Chaplin Met Gandhi (Kingsley Hall), Revolution Farm (Newham City Farm) and A Splotch of Red: Keir Hardie in West Ham (Newham Libraries/Community Links).

James Martin Charlton is an award-winning playwright as well as director and academic. His previous plays include the critically acclaimed Fat Souls and Coming Up (Warehouse, Croydon), the sell-out hit I Really Must be Getting Off (White Bear), and Coward (Just Some Theatre Co.).

Alice in Canning Town: an urban adaptation of Alice in Wonderland

Our Middlesex colleagues, playwright James Kenworth and director James Martin Charlton, have been awarded the prestigious Royal Docks Trust Grant to write and stage an innovative, site-specific play, Alice in Canning Town.

Alice in Canning Town is a brand new contemporary, urban adaptation of Lewis Carroll’s Alice in Wonderland, reconfigured for the East End, and performed site-specific in Arc in the Park, an inclusive adventure playground in Canning Town.

The play will reflect the ever-changing face of the East End over the years, from Cockney to Bangra, Krays to Stormzy, and will be a celebration of not only one of the best loved fantasies of all time, but a kaleidoscopic and action-packed journey through an East End that survived Hitler’s blitz and reinvented itself as a leading light in multicultural Britain.

The performance will feature a combination of professional actors, young performers from the local area, and a live youth orchestra. James’s previous plays have all given opportunities and experience to local young performers, and explored the Borough’s rich political history. The show will be performed at Arc in the Park in the Summer of 2019.

Middlesex English & Creative Writing students may be involved in the creative process which will chiefly benefit young people from Newham.

James Kenworth and James Martin Charlton

The show will build on the pioneering work the playwright (James Kenworth, Lecturer in Media Narrative) and director (James Martin Charlton, Head of Media) have done in the field of education, community and site-specific theatre. James Kenworth’s most recent play, A Splotch of Red, was the third in a loose trilogy of East End-based plays, all dealing with revolution and social change, and all performed in appropriate locations in the London Borough of Newham. It follows When Chaplin met Gandhi, staged in 2012 at Kingsley Hall, where the Indian leader stayed during his 1931 visit to Britain, and Revolution Farm, a ‘hoodie version’ of George Orwell’s Animal Farm, performed in 2014 at Newham City Farm, in the shadows of Canary Wharf.

Arc in the Park

Arc-pic1Arc in the Park is a vibrant and dynamic Adventure Playground, featuring tree houses, swings, trampolines, rope bridges, giant slides, teepees, and as such, is a perfect fit for the playful and surreal world of Carroll’s Alice in Wonderland. Its unusual and imaginative play resources make it an exciting and unique performance space for an Alice in Wonderland reimagined for the East End.

The Arc provides a Newham-wide delivery and resource base for young people with disabilities and/or additional needs and their families. We will work closely with Arc in the Park’s management body, Newham charity, Ambition, Aspire, Achieve, to provide opportunities for local young people to be involved in the making of a professional theatre show. Kevin Jenkins OBE founded AAA because of a longstanding desire to provide opportunities for the youth of Newham and East London. AAA have an exemplary track record in providing activities and experiences for young people in the Newham and East London area that build confidence and expand minds.

The park’s unique array of adventure play resources and building structures make it a perfect fit for Alice’s adventures in Canning Town. We envisage a promenade-style performance for Alice, with the audience following the play’s story around the environs of the Park. This kind of staging was achieved very successfully with the production of Revolution Farm at Newham City Farm, with critics singling out the promenade staging for praise. The Independent’s Theatre Critic Paul Taylor wrote: “The unique selling points of this version are not just the in-yer-face modernity of the language and attitudes, but the fact that it unfolds as a promenade performance in the precincts of a genuine inner-city farm.”