Launch show of Haringey Unchained magazine

We are very excited to announce the launch show of ‘Haringey Unchained‘ the creative magazine that was co-produced this year through the intense collaboration of students (and staff) at Haringey Sixth Form College and Middlesex University.
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The launch show for this year’s issue of the magazine will be on Thursday 5th July, in the evening, at Haringey Sixth Form College in Tottenham in London. This will be a celebration of London’s creative talent; writers will read out their work and dancers from the WeMove Dance Leadership project will provide interpretative dances of the magazine’s prose and poetry pieces.

There will also be an Art Exhibition at the iconic North London venue, Alexandra Palace, on the 6th July, also in the evening – and there will be additional opportunities to attend readings of the Haringey Unchained collection.

‘Haringey Unchained’ hot off the press

We had our final editorial meeting on May 3rd, 2018 for this year’s issue of Haringey Unchained. We finalised the flat plan, decided on the amazing cover design, and are really excited about the upcoming publication.

To visit the updated blog, where all submissions have been posted in full, go to: www.haringeyunchained.com  

The magazine will be launched in a series of events in late June, culminating in the official launch at July 5th, 2018 at Haringey Sixth Form Centre. We will announce more details soon.Haringey Unchained LogoThis is the part of the introductory section of the magazine:

Haringey Unchained is a collective of students aiming to showcase the creative talent of Haringey Sixth Form College in Tottenham, London. Our community has had a challenging academic year, but amidst the setbacks, our students and staff have continued to produce art and creative writing that shows a want to be heard. In this magazine, we aim to bring out the critical and creative consciousness of a vibrant college. This creative gives space to those whose work might otherwise not be seen or read.

Since the cuffs are off, we are able to express ourselves through our photography, art, short fiction and poetry, to express what is really on our minds. We are free.

This year, we were privileged to work alongside Middlesex University in London, whose editorial team brought together an exciting range of submissions. We had editorial meetings together during which the students collaborated on the concepts for the magazine and blog.

Submissions were produced by Haringey Unchained’s current members, Haringey Unchained alumni, Middlesex University English and Creative Writing students and Haringey Sixth Form College students and staff.

Editorial Team20180503_165137.jpg

The Haringey Unchained Editorial Team comprises ten Haringey College students and is headed by Angie Smith, English Teacher at Haringey Sixth Form Centre and Founder of Haringey Unchained. It also includes five Middlesex members (for 2017-18); our four Middlesex BA English students: Yvonne Alexander-Taylor, Majeda Reema Begum, Sarah Haque, Teodora Matković and myself (Anna Charalambidou).

 

 

Q&A with Ian McGuire on his celebrated novel, The North Water

ian-mcguire-author-photoIan McGuire, author of the celebrated novel, The North Water, visits Middlesex to answer questions from BA English students.

The Language and Communication research cluster invites you to the conversation.

When? Tuesday 27 February 2018, 17.00 – 18.30

Where? Room C110 (College), Middlesex University, Hendon campus

51AhoORZVXL._SX325_BO1,204,203,200_The North Water is causing a literary sensation: it’s currently one of the New York Times 10 Best Books of 2016, and was longlisted for the 2016 Man Booker Prize. You can read more about the novel here:

http://thenorthwater.net/

A visceral and emotional piece of literary art, The North Water has been described by Andrew Haigh, the director of the forthcoming BBC adaptation of the novel, as “a darkly brilliant piece of work, propelled by a vision of the world that is both beautiful and brutal. It feels bracingly modern and is piercingly perceptive about the nature of what drives us all”.

This event offers the opportunity to hear McGuire respond to a number of searching questions about creative writing method and literary composition – all from Middlesex students.

Time will also be allotted for questions from the audience.

Rhyme and Reason: “creative criticism” and thinking in verse: video recording

If you’ve missed the a talk and poetry reading by poet, philosopher and literary critic Christopher Norris, that took place on October 18th, fear not!

Chris discussed his shift from a philosopher and literary critic to a poet. He introduced and read a number of his philosophical villanelles and also (my favourite) a satirical one about George Osborne.

We have videorecorded this very well-attended and fascinating session.

Here is a teaser:

 

 

And here’s the full session:

 

(next time I’ll try not to sit right in front of the camera)

A Viewpoint is more than a Point of View: ‘Shades of Light’ and City Poetry

The Language and Communication Research cluster is delighted to welcome the acclaimed poet Mary Coghill for a poetry reading/presentation on A Viewpoint is more than a Point of View: ‘Shades of Light’ and City Poetry.

When? Wednesday 14 February 2018, 16.00 – 17.30

Where? Room C110 (College)Middlesex University, Hendon campus

For this poet, the definition of what might be called a ‘city poetic’ is ongoing.  The understanding of a viewpoint – from what angle the poet sees what is going on around him or her – is central.  The focused use of techniques and imagery which are sympathetic to the demands made by the city environment on those who live in the city day by day, night by night, is also crucial.  This presentation will examine, both through the examination of poetic theory and with examples from Shades of Light, how some of these issues are represented and interpreted, including through the use of Adobe Indesign software.

20130022111658img01Biography: Dr Mary Coghill
Creative Writing MA Plymouth University (2005) which included the narrative poem Designed to Fade (2006) Shearsman Books.

Creative Writing PhD from The London Metropolitan University (2011) with Professor Paul Cobley as Director of Studies: ‘A Theory and Praxis of a City Poetic: Jakobson, Poetic Function and City Space; Women, Deixis and the Narrator: A City Poem: ‘Shades of Light: A Triumph of City’; poem published (2012) www.cityofpoetry.co.uk

Visiting Research Fellowship at the Institute of English Studies, School of Advanced Studies, University of London (2014-17) included Assay of Blood and Gold: London (2017) www.cityofpoetry.co.uk and theoretical work on Jakobson and Metonymy.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

For a full list of all 2018 seminars, click here.

Rhyme and Reason: “creative criticism” and thinking in verse

The Language and Communication Research cluster is pleased to welcome you to the first event of our 2017-18 series: a talk and poetry reading by poet, philosopher and literary critic Christopher Norris.

When? Wednesday 18 October 2017, 16.00 – 17.30

Where? Room C223, College building, Middlesex University, Hendon campus

This talk will take the form of a poetry-reading with introductory remarks and a running commentary. The latter will invite reflection on the varied possibilities of thinking creatively in and through verse, especially formal (i.e., rhyming and metrical) verse. It will focus on the kinds of intellectual stimulus offered by such formal constraints, and the way that exigencies of structure can liberate the mind from routine or predictable patterns of thought.

The philosophical verse-essay has suffered an eclipse since its high-point in the English eighteenth-century, along with the very idea of poetry as a discursive or rationally-oriented discourse-genre. That idea has been displaced by the Romantic and Modernist emphasis on metaphor and symbol as supra-rational (hence ‘properly’ poetic) modes of imaginative thought. Christopher’s poetry takes a sharply opposed view of the prospects for at least one perfectly viable and, he would argue, not in the least anachronistic kind of verse-practice.

Brief bio:

chris-norrisChristopher Norris is Emeritus Professor of Philosophy at Cardiff University. He is the author of more than thirty books on topics in philosophy, literary theory, music, and intellectual history. These include, most recently, Badiou’s Being and Event: a reader’s guide (Continuum) and Philosophy Outside-In (Edinburgh U.P.). More recently he has been writing philosophical poetry with a main focus on the extended verse-essay as a mode of creative criticism.

Three collections have appeared so far: The Cardinal’s Dog (2014), For the Tempus-Fugitives (2017), and The Winnowing Fan (also 2017). Of the latter Terry Eagleton wrote: ‘A major literary event . . . . Christopher Norris has reinvented the poetry of ideas for our time in this enthralling collection of unique, elegant, hugely ambitious works. It’s certainly the most fascinating collection of poems I’ve read for many a year.’

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Behind Closed Doors: dramatizing hidden truths in real stories

In 1931 Gandhi came to London to press for the Independence of India. Instead of staying in a West End hotel he lived in an East London community centre. Charlie Chaplin was also in London at the same time for the British premiere of City Lights, and wanted to meet Gandhi.34101 chaplinghandi.indd

Writer James Kenworth’s critically acclaimed play, When Chaplin Met Gandhi, told the story of this remarkable meeting between two of the greatest figures of the Twentieth Century.

No one really knows what took place at the meeting between these two men as it was held behind closed doors, which meant that conjecture and supposition played a large part in the writing of the script.

James discusses questions of historical accuracy, biography, interpretation, and the delicate balance between fidelity to the truth and the need to tell a good story.

Date: Thursday 23rd February 2017

Time: 15.00-16.00

Location: Room C126, College Building, Middlesex University, London, NW4 4BT

“While holding with its presentation of character, this play also passes on a surprising amount of information and in an educational context could provide a valuable starting point for exploration of the topics it touches on and discussion of the issues it raises.” British Theatre Guide

This is a show that mixes history and fiction to craft a fine piece of theatre with a message for our times.” thepublicreviews

ls5nd9gvBiography

James Kenworth is a qualified teacher, playwright and creative writing/drama workshop leader/devisor. His plays include Johnny Song, Gob, Polar Bears, issue-led plays Everybody’s World (Elder Abuse), Dementia’s Journey (Dementia), and site-specific plays When Chaplin Met Gandhi (Kingsley Hall), Revolution Farm (Newham City Farm) and A Splotch of Red: Keir Hardie in West Ham (Newham Libraries/Community Links). His play, Dementia’s Journey, won the 2015 University of Stirling International Dementia Award in the category: Dementia & the Arts. When Chaplin Met Gandhi has recently been published by TSL Publications. He currently lectures in English, Creative Writing, and Media for Middlesex University.