German Philosophy Seminar 2020-2021: Martin Buber’s Philosophy of Communication

Our colleague, Johan Siebers, together with Vic Seidler are convening the fortnightly seminars on Martin Buber’s Philosophy of Communication.

Martin Buber’s dialogical philosophy contains a fundamental reflection on the nature of human relations and how they can be participated in, interpreted, and studied. In this seminar we will examine Buber’s main writings, focusing on his claim that the dialogical I-Thou relation differs fundamentally from social relations, that it can only be understood on its own terms, that it exists in communicative speech (even though not always words are exchanged in concrete I-Thou instances) and that it resists all attempts at objectification. We will bring this claim into conversation with other approaches to understanding human relations and the nature of the social, e.g. Marxism, feminism, phenomenology, psychoanalysis, communication theory and contemporary social philosophy. We will ask how the interhuman and the social are related. Could a future-oriented, utopian horizon to human relationality emerge as the mediation between the interhuman and the social? How might this inform a contemporary assessment of Buber’s work? We’ll work with primary texts by Buber and others, as well as with literary and first-person accounts of relationality and dialogue.

Convenors: Johan Siebers (Bloch Centre/Middlesex University) and Vic Seidler (Goldsmiths/Leo Baeck College)

Seminars will be held fortnightly on Mondays, from 16:00-18:00 (online via Zoom). Participation is free, however advance online registration is required as only registered participants will be sent to the link to access the event. 

Dates – please follow the link to register for each meeting:

5 October 2020
19 October 2020
2 November 2020
16 November 2020
30 November 2020 
14 December 2020

More information: https://modernlanguages.sas.ac.uk/ernst-bloch-centre-german-thought/martin-bubers-philosophy-communication-2020-21

The Multimodal Writer

 

THE LANGUAGE AND COMMUNICATION RESEARCH CLUSTER IS DELIGHTED TO ANNOUNCE A PRESENTATION BY award-winning author of theory, fiction and creative non-fiction, Dr Josie Barnard on how can a writer optimise his or her ability to move between genres and technologies.

When? Thursday, 12th March 2020, 15.00-16.00

Where? Room CG09 (College building), Middlesex University, London, NW4 4BT

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These are exciting times for creative writing. In our digital age, the ability to move between types of writing and technologies – often at speed – is increasingly essential for writers. Yet, such flexibility can be difficult to achieve, and, how to develop it remains a pressing challenge. Josie Barnard’s academic research has at the centre one question: how can a writer optimise his or her ability to move between genres and technologies? Her new book  The Multimodal Writer sets out to provide theoretical background and serve as a practical tool to help writers face challenges and embrace opportunities presented by new media technologies robustly, effectively, and with pleasure.

 

Biographical note:

IMG_7293-768x512Dr. Josie Barnard SFHEA is an award-winning author of theory, fiction and creative non-fiction whose academic research centres on the application of creativity to the challenge of bridging the digital divide.  Her research into digital literacy is represented by her Macmillan International Higher Education monograph The Multimodal Writer: Creative Writing Across Genres and Media (2019). Her research into digital inclusion is represented by her BBC Radio 4 programme, Digital Future: the New Underclass (2019).  She has developed an empirically tested pedagogical model for teaching digital literacy.  The author of six books, including the Betty Trask award-winning Poker Face (1996) and extensive print and broadcast journalism and international academic articles and chapters, Josie is currently co-editing a Multimodal Writing Special Issue of the National Association of Writers in Education journal Writing in Practice (2021).  She collaborates with government departments and other key stakeholder groups to inform policy and develop citizens’ digital literacy.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Click here to see all 2019-20 Language & Communication research seminars.

Supercategory Semantics: Religion, Science, History

THE LANGUAGE AND COMMUNICATION RESEARCH CLUSTER Is delighted to invite you to our first seminar for 2020, by Dr Adrian Pablé, Associate Professor at the University of Hong Kong:

When? Monday, 13th January 2020, 16.45 – 17.45

Where? Room VG06, Vine building, Middlesex University, London, NW4 4BT

Dr PableIn this talk Adrian will offer some reflections on the concept of the ‘Supercategory’, as outlined by Oxford linguist Roy Harris in the books The Necessity of Art (2003), The Linguistics of History (2004) and The Semantics of Science (2005). Harris argues that academic disciplines like Science, History and Religion (among others) are either built on realist surrogationalist philosophies of language, whereby words mean by ‘standing for’ something other than itself, or on holistic models of language based on some form of idealism.

Against this background Adrian will introduce Harris’ integrational linguistics as a third (semiological) alternative, with its emphasis on human activity and on the integration (or contextualization) of signs.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Click here to see all 2019-20 Language & Communication research seminars.

Paint into text: the re-formation of an exhibition into a dramatic text

THE LANGUAGE AND COMMUNICATION RESEARCH CLUSTER IS DELIGHTED TO ANNOUNCE A PRESENTATION BY award-winning dramatist and director and Head of Media Department, James Martin Charlton, on the re-formation of an exhibition into a dramatic text.

When? Thursday 30th January 2020, 15.00 – 16.00

Where? Room CG09 (College building), Middlesex University, London, NW4 4BT

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James Martin Charlton’s new play Reformation was premiered in London in June 2019. Inspired by the life of the German Renaissance painter Lucas Cranach the Elder, the play was conceived after the author visited an exhibition featuring the artist’s work for the Hohenzollern electors. This encounter with Cranach’s portraits and mythological scenes inspired a work which explores themes of sexual exploitation, power and patronage. In this seminar, the author explores how work in the static, two dimensional medium of painting can be reformed into drama, a medium which combines action and dialogue and which progresses through time and three-dimensional space. How does a painter of the 16th century inspire a contemporary dramatist? What uses does a writer make of historical research, and when might it be permissible to speculate and imagine beyond the historical record?

Biography

JMC-2019James Martin Charlton (writer) is a dramatist, director and academic.

His plays include Fat Souls and Coming Up (Warehouse Theatre, Croydon); ecstasy + Grace (Finborough Theatre); Desires of Frankenstein (Open Air, Regents Park/Pleasance, Edinburgh); The World & his Wife, I Really Must be Getting Off (The White Bear); Coward (Just Some Theatre Co.). He has written two short pieces for The Miniaturists, Fellow Creature and Battis Boy (Arcola Theatre). His recent play Been on the Job Too Long has been produced three times since 2015 (at TheatreN16, the North London Literary Festival, and the Talos Festival of Science Fiction Theatre).

He wrote an adaptation of The Pilgrim’s Progress under commission by the RSC, and his biographical play about William Blake, Divine Vision, was performed at Swedenborg Hall.

He has directed a number of contemporary plays, including Gob, Bumps (King’s Head), Plastic Zion (White Bear), Histrionics (Underbelly, Edinburgh). He has directed three site-specific production of plays by James Kenworth: Revolution Farm (after Orwell) played at Newham City Farm in 2014; A Splotch of Red: Keir Hardie in West Ham toured east London libraries and community centres in 2016; Alice in Canning Town was produced at Arc in the Park in summer 2019.

He has written and directed two short films, Apeth (2007) and Academic (2011). He wrote screenplays for the shorts Emotional Tribunal and Best Shot. He recently filmed his play Fellow Creature for 360° video, as part research project into the medium which resulted in the 2019 article ‘VR and the dramatic theatre: are they fellow creatures?’ in the peer-reviewed International Journal of Performance Arts and Digital Media.

He has lectured at UEL and Birkbeck and is currently Head of Department of Media at Middlesex University.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Click here to see all 2019-20 Language & Communication research seminars.