‘Haringey Unchained’ hot off the press

We had our final editorial meeting on May 3rd, 2018 for this year’s issue of Haringey Unchained. We finalised the flat plan, decided on the amazing cover design, and are really excited about the upcoming publication.

To visit the updated blog, where all submissions have been posted in full, go to: www.haringeyunchained.com  

The magazine will be launched in a series of events in late June, culminating in the official launch at July 5th, 2018 at Haringey Sixth Form Centre. We will announce more details soon.Haringey Unchained LogoThis is the part of the introductory section of the magazine:

Haringey Unchained is a collective of students aiming to showcase the creative talent of Haringey Sixth Form College in Tottenham, London. Our community has had a challenging academic year, but amidst the setbacks, our students and staff have continued to produce art and creative writing that shows a want to be heard. In this magazine, we aim to bring out the critical and creative consciousness of a vibrant college. This creative gives space to those whose work might otherwise not be seen or read.

Since the cuffs are off, we are able to express ourselves through our photography, art, short fiction and poetry, to express what is really on our minds. We are free.

This year, we were privileged to work alongside Middlesex University in London, whose editorial team brought together an exciting range of submissions. We had editorial meetings together during which the students collaborated on the concepts for the magazine and blog.

Submissions were produced by Haringey Unchained’s current members, Haringey Unchained alumni, Middlesex University English and Creative Writing students and Haringey Sixth Form College students and staff.

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The Haringey Unchained Editorial Team comprises ten Haringey College students and is headed by Angie Smith, English Teacher at Haringey Sixth Form Centre and Founder of Haringey Unchained. It also includes five Middlesex members (for 2017-18); our four Middlesex BA English students: Yvonne Alexander-Taylor, Majeda Reema Begum, Sarah Haque, Teodora Matković and myself (Anna Charalambidou).

 

 

Sneak peak on this year’s ‘Haringey Unchained’ magazine

We are very happy to report that all content (poems, short fiction, illustrations, photographs etc.) that we have submitted this year has  been added to the Haringey Unchained blog.

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Please visit here: https://haringeyunchained.wordpress.com.

 

At the top of the page, there is the following link, which reflects the partnership between students and staff of English from Middlesex University and Haringey Sixth Form Centre:

https://haringeyunchained.wordpress.com/university-partnerships/

Submission on the blog are anonymised. Anything submitted by Middlesex is demarcated by a * in the title.

Over the next couple weeks, we’ll be updating the blog so that it is a premium account so the URL will eventually change to: www.haringeyunchained.com.

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Our next and final editorial session together will be Thursday 3rd May at 4:30 pm. We are going to have to be merciless about the items we cut in order to get it to fit 52 pages.  We will spent the time placing pieces along the flat plan together.

Really looking forward to seeing the finalised version of the print magazine!

Footage of conversation with Ian McGuire

Last month, Ian McGuire, author of the celebrated novel, The North Water, visited Middlesex to answer questions from BA English students. The event was sold out and a great success. If you missed it, or would like to watch it again, here’s the footage of the discussion.

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All English events at Middlesex this week

This is the busiest and most exciting week of the year in our English events calendar. We are hosting the final Language & Communication research seminar of this series, we are welcoming two Erasmus teaching visits in English, and Creative Writing & Journalism students are running this year’s Story Festival. Here’s a reminder of all events on campus this week. We hope you’ll join us in as many as you can:

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Tuesday, 13th March

  • 12.00-14.00 Metafiction in Postmodern American Literature and Popular Culture by Dr Aleksandra Vukotić (University of Belgrade), BG09B (Building 9)
  • 14.00-16.00: Trauma, Cultural Memory, and Identity in Sebastian Barry’s ‘A Long Long Way’ by Professor Ksenija Kondali (University of Sarajevo), C136 (College Building) – Open lecture

11.00-20.00 North London Story Festival (various rooms)

 

 

Wednesday, 14th March

12.00-14.00 Intertextuality in Jeanette Winterson’s ‘The Gap of Time’. By Dr Aleksandra Vukotić, CG48 (College Building)

16.00-17.30 The Embodied Nature of Narrative: Moving with purpose with others, and its disruption in autism. By Dr Jonathan Delafield-Butt (University of Strathclyde),  New room: BG02 (Building 9) Final Language & Communication Research Seminar for this year!

 

Thursday, 15th March

15.00 -17.00 Negotiating the Technological Sublime: DeLillo’s and Antonioni’s

Murder Mysteries. By Dr Aleksandra Vukotić, CG43 (College building) – Open lecture

 

ksenFriday, 16th  March

10.00-12.00 Whoever controls your eyeballs runs the world : A “Paranoid” Reading of Media. By Dr Aleksandra Vukotić, CG09 (College building)

15.00-17.00 Fictionalizing Transatlantic Slavery: A Comparative Study. By Professor Ksenija Kondali (University of Sarajevo), PAG02 (Portacabin)

 

All welcome!

For directions to Middlesex University Hendon campus, click here.

Dr Ksenija Kondali, University of Sarajevo, coming to Middlesex for an Erasmus+ teaching visit to talk about Fictionalizing Transatlantic Slavery

We are delighted to welcome Dr Ksenija Kondali, assistant professor at the University of Sarajevo (Faculty of Philosophy) for an Erasmus+ teaching visit on March 16th, 2018. She will give an interactive seminar on Fictionalizing Transatlantic Slavery: A Comparative Study.

When? Friday March 16th, 15.00 – 17.00

Where? PAG02 (Portacabin)

Building on the theorizations of the Black Atlantic paradigm developed by Paul Gilroy (1993) and its “re-membering” by Lars Eckstein (2006), and other theoretical foundations, this presentation investigates the re-inscription of transatlantic slavery in selected literary texts from a comparative perspective. More specifically, it addresses the recuperation of disregarded voices from the Middle Passage and the transatlantic linkage of black identities. These voices are heard in the novel A Mercy (2008) by the African-American author Toni Morrison, the British-Guyanese author Fred D’Aguiar’s The Longest Memory (1994), and The Book of Negroes (2007) by Lawrence Hill, a Canadian author of US-immigrant parentage. Comparing particular features of “traumatic pasts, literary afterlives” (Erll 2011) and embedded traumatic memories represented in these texts, this talk focuses on the different representations of memory in the novels, set in various historical, geographical and cultural landscapes.

ksenjaKsenija Kondali is an assistant professor and teaches courses on US history, literary theory, British and American literature and culture at the Faculty of Philosophy, University of Sarajevo. She completed her BA and MA at the University of Sarajevo, and defended her doctoral dissertation in English at the University of Zagreb (Croatia). Dr Kondali has presented her papers at over twenty regional and international conferences and published papers about American, British, Irish, and postcolonial authors.

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In 2016, she co-edited a volume entitled Critical and Comparative Perspectives on American Studies (published by Cambridge Scholars Publishing), and last year she published her monograph Intersecting Paradigms, about history, memory, and space in contemporary American women’s writing.

 

All welcome – no need to register.

 

For an outline of all Language & Communication events the week commencing March 12th 2018, please click here.

Dr Aleksandra Vukotić, University of Belgrade, coming to Middlesex for an Erasmus+ teaching visit: 12-16 March 2018

We are delighted to host Dr Aleksandra Vukotić, University of Belgrade (Faculty of Philology) for an Erasmus+ teaching visit between March 12th and 16th, 2018. She will give three transdisciplinary interactive seminars and an Open Lecture, in the domain of media, cultural, literary and film studies.

Metafiction in Postmodern American Literature and Popular Culture

Tuesday, 13 March, 12.00-14.00 at room BG09B (Building 9)

In this session, Aleksandra will explore the reasons why metafiction became immensely popular in the 2nd half of the 20th century, especially in the 60s in the U.S. Through numerous examples from the U.S. fiction and popular culture (from ‘Pulp Fiction’ to the latest season of ‘Twin Peaks’) she will discuss why we cannot dismiss metafiction as ‘a thing of the past’ and why metafictional strategies still have the capacity to inspire us to think critically about today’s world.

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Intertextuality in Jeanette Winterson’s ‘The Gap of Time’

Wednesday, March 14, 12.00-14.00, room CG48 (College Building)

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Whoever controls your eyeballs runs the world : A “Paranoid” Reading of Media

Friday 16th March, 10.00-12.00 at room CG09 (College building).

This seminar explores one of the most pressing issues of today’s world – the problem of ever-present violence in the media and terrorism as a new world narrative. It focuses on the feedback loop between media and violence, escalating in terrorist attacks (which would be ‘nothing without the media’ as Baudrillard explained), again as reflected in contemporary fiction and film. It also discusses the misuse and abuse of the power of media, inviting the audience to think about the possible ways out of this ‘vicious circle.’ The novelists and filmmakers who closely follow and explore media strategies in their works (only to subvert them) will surely be a fertile source of ideas and inspiration.

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Aleksandra will also give an Open Lecture on Thursday, 15th March, 15.00 -17.00, Room CG43 (College building):

Negotiating the Technological Sublime: DeLillo’s and Antonioni’s Murder Mysteries

Have we placed too much faith in reason and technology? Is technology our fantasy? As we rely more and more on technological advancements and innovations, do we move away from the factual reality towards fiction and illusion? Is our wish to explain away the mysteries of our time through science and technology ultimately a death wish? Or, as a character notes in DeLillo’s Zero K, Does technology have a death wish?

Michelangelo Antonioni, one of the most influential filmmakers of the 20th century, and Don DeLillo, one of the greatest contemporary American novelists, have repeatedly adressesed these questions in their works, examining what happens with the human need for the marvellous and the sublime in the world of technology which promises revelations of all mysteries. We will discuss this topic through examples from Antonioni’s cult film Blow-Up (1966) and DeLillo’s novels Libra (1988), Underworld (1997) and Falling Man (2007), focusing on the characters’ fascination with dead bodies caught on film and photograph.

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Aleksandra Vukotić is Assistant Professor at the English Department of the University of Belgrade. She holds a PhD in American literature, and she is currently preparing a manuscript on history and fiction in the novels of Don DeLillo. Aleksandra is also a freelance translator and member of the editorial board of the Belgrade BELLS Journal published by the University of Belgrade. Her interests include, among other, contemporary American literature, selected problems of literary theory, literary and visual studies.

You are welcome to attend any or all of Dr Vukotić’s seminars. No need to register.

For an outline of all Language & Communication events the week commencing March 12th 2018, please click here.