I Interpret You

THE LANGUAGE AND COMMUNICATION RESEARCH CLUSTER IS DELIGHTED TO ANNOUNCE A PRESENTATION BY OUR COLLEAGUE AND ASSOCIATE PROFESSOR OF PHILOSOPHY AND RELIGION DR JOHAN SIEBERS ON the role of language in interpersonal encounters in the language philosophies of Donald Davidson and Martin Buber.

When? Thursday 12th December 2019, 15.00 – 16.00

Where? Room G230 (Grove building), Middlesex University, London, NW4 4BT

Abstract:

In this talk I will present research done in cooperation with Prof Eli Dresner, Tel Aviv University. We compared the accounts of the role of language in interpersonal encounters in the language philosophies of Donald Davidson and Martin Buber, two thinkers from very different schools thought. The striking parallels as well as the telling differences that emerged allow us to formulate a new perspective on the role played by codes and meaning in communication as well as on basic aspects of the ontology and ethics of communication. Part of this research project was published as “I Intepret You. Davidson and Buber”, in Review of Metaphysics, vol. 73 (1), 2019, 109-126.

 

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Johan Siebers is Associate Professor of Philosophy and Religion at Middlesex University. He is also an Associate Fellow at the School of Advanced Study, University of London, where he leads the Ernst Bloch Centre for German Thought. He has published widely on 19th and 20th century German philosophy, metaphysics, philosophy of communication, rhetoric and futurity. He is founding editor of Empedocles: European Journal for Philosophy of Communication. Before coming to Middlesex he designed and led the first MA in Rhetoric in the UK, at the University of Central Lancashire.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Click here to see all 2019-20 Language & Communication research seminars.

2019-20 Language & Communication Research Seminars

The Language & Communication research cluster is excited to announce the fantastic line-up of presenters for our 2019-20 research seminars, at our HENDON CAMPUS. The seminars feature world-leading authorities and acclaimed practitioners who discuss their work on language, discourse and communication, literature, creative writing, media and cultural studies. Hope to see you all there!

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  • Dr Johan Siebers: I Interpret You. Thursday 12th December 2019, 15.00-16.00, Room G230 (Grove building).
  • Dr Josie Barnard: The Multimodal Writer. Thursday, 12th March 2020, 15.00-16.00, Room CG09 (College building).

 

 

Check back here for additional listings.

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

‘Don’t Mess with Mr. In-Between’: National and Sexual Identities in Hanif Kureishi’s The Buddha of Suburbia

THE LANGUAGE AND COMMUNICATION RESEARCH CLUSTER IS DELIGHTED TO WELCOME Dr Yael Maurer (Tel Aviv University) FOR A seminar ON National and Sexual Identities in Hanif Kureishi’s The Buddha of Suburbia.

When? Thursday, 10th October 2019, 16.00 – 18.00

Where? Room VG06, Vine building, Middlesex University, London, NW4 4BT

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In the session, Dr Maurer will be introducing the opening of Kureishi’s novel where he explores the ties between national and sexual identities in the figure of his protagonist, Karim Amir, “an Englishman born and bred, almost” as the famous opening lines of the novel put it. We’ll explore  the notion of an “in-between” state which becomes  central in  the novel’s construction of identity dilemmas, and question how Kureishi presents this option in his novel. The Buddha of Suburbia is a buildunsgroman, a novel about growing up and becoming a man. We’ll see how Kureishi interrogates notions of sexuality, masculinity and nationality in the figure of his youthful protagonist who embodies identity dilemmas  faced by many second generation immigrants in Britain.

 

Biographical Note

Dr. Yael Maurer is Lecturer at the English and American Studies Department at Tel Aviv University, Israel. Her doctoral research focused on “Living on a Broken Mirror: Imitative Modes in Rushdie’s Fiction” (Tel Aviv University, 2009).

Selected publications include:

The Science Fiction Dimensions of Salman Rushdie, McFarland Press (2014).book

Cityscapes of the Future: Urban Spaces in Science Fiction ( Co-Editor),  2018.

“The Body Politic: Philip Roth’s Vision of America”.  The Political Companion to Philip Roth.  Lee Trepanier and Claudia Fanziska Bruhwiller (Editors). University of Kentucky Press (May  2017).

“Undying Histories: Washington Irving’s Gothic Afterlives” Carol Davison (Editor) International Gothic Series, University of Manchester Press( March, 2017).

“Sometimes a Bomb is More than a Blowup; Hitchcock’s’ Sabotage” in Interdisciplinary Humanities: Hitchcock: A Series of Beneficial Shocks. Michael Howarth (Editor). Spring, 2015, Vol. 32.1

The Monstrous Feminine: Reimagining Aliens in American Horror Films”. The Devil You Know: Evil in American Popular Culture. Sharon Packer and Jody Pennington (Editors), Praeger Press. July 2014.

“Not English but Londoners’: Hanif Kureishi’s Sammy and Rosie Get Laid”, The Literary London Journal, Volume 11 Number 1 Spring/Autumn 2014

“Rage Against the Machine: Cyberspace Narratives in Rushdie’s Fury“. The Journal of Commonwealth Literature (47:1). March, 2012

The Language and Communication Research Seminars are free and open to all staff, students and guests. For any questions or if you would like to lead a session, contact Anna Charalambidou.

Click here to see all 2019-20 Language & Communication research seminars.

Digital Future: the New Underclass

Our colleague at BA English at Middlesex Dr Josie Barnard presented a BBC Radio 4 programme on 3rd Sept at 11am. It investigates the deep social divides created by the digital world.

Hear it here.

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Whether booking a flight to go on holiday or ordering a takeaway, digital technology is so embedded in everyday life that it’s easy to assume everyone is on a level playing field. Or that those who aren’t are part of an older generation who didn’t grow up with computers. But that’s a dangerous assumption.

22% of the British population lack the digital skills they need to get by day-to-day. That’s more than one in five people who struggle with signing their child up to school, filling in a tax return, or even using a smartphone to make a call. And as more and more essential services move online, falling behind the pace of change carries severe consequences.

For young people, the risks of being left behind are buried under the assumption that they are digital natives – that they have supposedly grown up with an innate ability to use digital technology. But as the number of smartphone-only households grows, millions of children are in danger of their digital world shrinking around a tiny touchscreen.

Dr Barnard asks if this is simply a question of affordability and motivation, or whether more complicated factors are at play. She speaks to people struggling to find space at public computer banks to complete their Universal Credit forms, and a group who are jumping hurdles to get online because of their severe dyslexia, and gets behind the screens of smartphone-only teenagers to find out how the kind of device and the way we use it can be just as detrimental as not having it at all.

Presenter: Dr Josie Barnard

Producer: Emma Barnaby

Executive Producer: Deborah Dudgeon

A Whistledown production for BBC Radio

ALICE IN CANNING TOWN Comes To Arc In The Park Adventure Playground This August

Book your tickets now, to see ‘Alice in Canning Town’, the contemporary urban re-interpretation of Alice in Wonderland, by our colleagues James Kenworth and James Charlton, in collaboration with Middlesex students, local pupils and professionals. Performances 12th – 18th of August.

Eventrbrite link

ALICE IN CANNING TOWN Comes To Arc In The Park Adventure Playground This AugustFollowing their production of Animal Farm on a real-life farmyard in 2014, James Kenworth and James Charlton bring a brand new, contemporary urban adaptation of much-loved fantasy adventure Alice in Wonderland to an adventure playground in the East End featuring tree houses, swings, trampolines, rope bridges and giant slides and a cast of professional actors and local Newham primary and secondary school pupils.

This is Alice in Wonderland as you’ve never seen before. All the favourite characters are still there, but in new, modern guises. A cockney rabbit, a rave-mad Mad Hatter, a hookah-smoking ex-Bollywood actor, Tweedledee and Tweedledum as hipsters, and a would-be grime artist called MC Turtle. From Cockney to Bangra, from the Krays to Stormzy, Alice in Canning Town is a celebration of not only one of the best loved fantasies of all time, but a kaleidoscopic and action-packed journey through an East End that survived Hitler’s blitz and reinvented itself as a leading light in multicultural Britain.

 

Alice in Canning Town has been reconfigured specially for the East End, and performed site-responsively in Canning Town’s Arc in the Park, an inclusive adventure playground in Canning Town. Arc in the Park is a vibrant Adventure Playground, featuring tree houses, swings, trampolines, rope bridges, giant slides, teepees, and as such, is a perfect fit for the playful and surreal world of Alice. The play will involve local Newham primary and secondary school pupils acting alongside professional actors.

Following the critical acclaim of James Kenworth’s When Chaplin Met Gandhi, Revolution Farm, and A Splotch of Red: Keir Hardie in West Ham, three plays which were a unique collaboration between professional theatre artists and young people in Newham, Alice in Canning Town is the fourth in a quadtrilogy that explores the borough’s rich heritage and shows off the talent of its young people. It continues the collaboration between Kenworth and director James Charlton.

James Kenworth’s previous plays include the award winning Dementia’s Journey (London tour), and Newham-based, site-specific plays, When Chaplin Met Gandhi (Kingsley Hall), Revolution Farm (Newham City Farm) and A Splotch of Red: Keir Hardie in West Ham (Newham Libraries/Community Links).

James Martin Charlton is an award-winning playwright as well as director and academic. His previous plays include the critically acclaimed Fat Souls and Coming Up (Warehouse, Croydon), the sell-out hit I Really Must be Getting Off (White Bear), and Coward (Just Some Theatre Co.).

Celebrating the determination and successes of our 2019 graduates

Students with caring responsibilities, young families and recent learners of English among First Class Honours awards

Middlesex University held its summer graduation ceremonies from 8-12 July, with 9265 students awarded degrees at 14 ceremonies.

The very first cohort of students graduated from MDX’s innovative BA English course. The programme is distinctive for offering all three disciplines of English Language, English Literature and Creative Writing, and some modules where students study all three together. While the classics are covered there’s an emphasis on highly contemporary material: the second year Literature course, for example, focuses on works published in just the last 18 months, so students can’t rely on secondary literature.

Our very first cohort of BA English students

There are opportunities to get involved in co-curricular and extra-curricular activities, which have included biweekly language community and research seminars and a project mentoring sixth form students producing a magazine.

Azize Peraj

Azize Peraj, the first member of her family to graduate from university, enjoyed the opportunity to apply linguistic theory and critical discourse analysis to her chosen subjects of veganism and Instagram in the Language part of her course, the one-to-one tutorials that the programme offers, and the skills development and work opportunities available through the MDXWorks Employment Hub. The diversity of her coursemates, from many different backgrounds and from London and beyond also appealed to her.

BA English students working with Haringey Sixth Form College creative writers

Her tutors were highly attentive to students’ needs, “how they develop as people as well as academically” Azize says. Senior Lecturer Dr Anna Charalambidou in particular was “fantastic in terms of lining up students with different networking experiences”.

Azize landed an internship that gave her the opportunity to meet and work alongside high profile politicians. She loves public speaking and having done some presenting while a student, she hopes to pursue a career in this field.

Reformation, a new play by James Martin Charlton, June/July in London

The new play, Reformation, of our colleague James Martin Charlton  opens at the White Bear Theatre on 25 June and runs until 13 July, Tuesdays-Saturdays 7.30pm; Sundays 4pm.

refThis nifty trailer, made by our talented BA Film soon-to-be graduates Dariush Asadi and Patrycja Lisowska will whet your appetites…

https://vimeo.com/342067897

You can learn more about the play, and book tickets, via the production website at www.reformationtheplay.com

 

“…one look in her eyes tells us how she has been wronged…”

Reformation is funny, gripping and challenging new play inspired by the life and art of the Renaissance artist Lucas Cranach.

Berlin. Eva learns that the celebrity artist Cranach is visiting her city. A chance meeting in the market place leads to romance with an artist’s son. Eva gets the chance to model for Cranach’s new painting, ‘The Rape of Lucrece’.

When the all-powerful Elector of Brandenburg sees the sketches of Eva, he wants the model. Is Cranach willing to sell the woman his son loves?

Upsetting the powerful means obscurity or death. What’s a poor girl to do?

Reformation is a play about those who don’t make the history books. This premier production, in contemporary dress, suggests many striking contemporary resonances between Eva’s situation and Time’s Up & #metoo

James Martin Charlton is an award-winning playwright. His previous plays include the critically acclaimed Fat Souls and Coming Up (Warehouse, Croydon), the sell-out hit I Really Must be Getting Off (White Bear), and Coward (Just Some Theatre Co.).

Janice Dunn is an experienced theatre director, who has worked extensively in the UK and Europe throughout her career. She is the former Artistic Director of the Mercury. Colchester, where she directed the premier of Howard Barker’s The Europeans.